Seyi Vibez enlists Omah Lay on music video for soulful single “MY HEALER”
Seyi Vibez, Omah Lay - MY HEALER (Official Video)
Stream / Download “MY HEALER” Here
Elite Nigerian singer and songwriter Seyi Vibez, one of Africa's most streamed artists, joins forces with Afrobeats royalty Omah Lay on a powerful new collaborative single titled “My Healer” released via EMPIRE. Bringing together two artists renowned for turning real-life experiences into deeply emotional music, “My Healer” is where raw street emotion meets soulful introspection. The track reflects the evolving sound of Afrobeats, moving beyond high-energy celebration into intimate storytelling and genuine emotional connection. Seyi Vibez delivers heartfelt verses rooted in pain, and personal growth, showcasing his signature street-born vulnerability. Omah Lay complements this with smooth, emotive vocals that add warmth, and depth, resulting in seamless artistic chemistry. Blending soulful Afrobeats with introspective songwriting, the single explores love as a source of healing and emotional restoration, built on rhythms and rich melodies.
The release follows the success of Seyi Vibez’s acclaimed 14-track album ‘FUJI MOTO’, a bold fusion of Afrobeats, Fuji, and street-inspired sounds that redefines the pulse of contemporary African music and has already over 300M streams. Entirely written by Seyi Vibez himself, ‘FUJI MOTO’ is a masterclass in vocals and musicality, drawing listeners into his world through raw emotion, vulnerability, and vibrant storytelling. The project features a carefully curated lineup of collaborators including Nigerian pioneer Olamide, alongside US rap heavyweights French Montana, Trippie Redd, and NLE Choppa. Olamide’s gritty Yoruba delivery on ‘Fuji Party’ reinforces the album’s cultural foundation, while the US features bridge Afrobeats with Western hip-hop energy, showcasing Seyi Vibez’s growing global influence. Seyi Vibez set the tone ahead of the album’s release with standout singles including ‘Pressure,’ a breakout track that solidified his dominance among Afrobeats’ new generation; ‘How Are You,’ a reflective song centred on gratitude and resilience, reaching Official Afrobeats Chart at #15. The recent release of the ‘Pressure’ music video featuring French Montana further amplified both the singles global success and album’s momentum. ‘FUJI MOTO’ capped off an exceptional run for Seyi Vibez following the success of his critically acclaimed ‘Children of Africa’ EP, a pivotal project in his international rise. Visually striking releases such as SHAOLIN (directed by TG Omori), alongside hits like ‘Mario Kart’, ‘Happy Song’, and ‘Macho’ featuring NLE Choppa, have continued to cement his reputation as a global hitmaker. Throughout his career, Seyi Vibez has collaborated with some of the industry’s biggest names, including Burna Boy, Ayra Starr, Black Sherif, Asake, Zlatan, Odumodublvck, as well as UK acts Tion Wayne and NSG. With FUJI MOTO, he delivers a defining moment — one that remains rooted in his Lagos street beginnings while propelling his artistry firmly onto the global stage.
Nigerian singer, songwriter, and producer Omah Lay is redefining contemporary African music, blending Afrobeats, R&B, and alternative sounds into emotionally rich, globally resonant tracks. Hailing from Port Harcourt, Rivers State, he has amassed over one billion streams, earning recognition as one of Africa’s most influential new voices. Omah Lay first captured the world’s attention in 2020 with his critically acclaimed EP ‘Get Layd’, featuring hits ‘Bad Influence’ and ‘Lo Lo,’. His debut studio album ‘Boy Alone’ and its deluxe edition cemented his global presence with standout tracks like ‘Understand,’ ‘Woman,’ and ‘I’m a Mess.’ A sought-after collaborator, Omah Lay has worked with international stars including Justin Bieber, 6lack and Ozuna, while also joining forces with Africa’s finest: Davido, Gyakie, Wizkid and Libianca and Ayra Starr on global hit ‘People’. These collaborations showcase his versatility and global appeal, bridging continents and genres.
